المراجعة التحريرية | McAuliffe completes her chronicle of Paris-begun with Dawn of the Belle Epoque-with this volume, similar in scope and content to her initial offering. Paris serves as the essential backdrop for a year-by-year summary of the lives, loves, and achievements of the city's academic and cultural elite. The author has a keen eye for the telling, tantalizing, and occasionally titillating detail, and she has mined a host of solid secondary works as well as printed journals and memoirs to assemble this portrait. Casual readers will be astonished at the book's dramatis personae: not only Picasso, Stravinsky, Proust, Renault, the Curies, and Gertrude Stein--all name-dropped on the cover--but also Clemenceau, Rodin, Bernhardt, Duncan, Zola, Debussy, and Matisse. All told, an astonishing outpouring of artistic ability and achievement. Scholars will find a wealth of detail that brings to life the figures of tout Paris. Like its companion volume, this second 'gossipy souffle' will charm all who love Paris, French history, and the arts. It would make a wonderful travel companion for those Paris bound, and a delightful read for all. Summing Up: Highly recommended. All 20th-century collections. * CHOICE * In Twilight of the Belle Epoque, this brilliant social historian applies her novelistic approach . . . to the early 20th century, interweaving a multitude of stories to create-through skillfully chosen glimpses into the lives of its most talented inhabitants-an unforgettable portrait of Paris. . . . Deftly, McAuliffe gathers together the threads of her multiple tales for the arrival of that ultimate rite: war. Here, to her readers' possible surprise, the artists and inventors emerge as heroes. . . . Summary reduces the various elements of McAuliffe's marvelous book to a mere cocktail of events. Harder to convey is the subtlety of the mix. With uncommon skill, she blends each ingredient of an incredible epoque into a vivid and hugely enjoyable narrative of extraordinary times. * The New York Times * However tentative its beginning and disastrous its end, the Third Republic had its glories, as Mary McAuliffe reminds us in Twilight of the Belle Epoque. The years between 1870 and 1914 were a time when Paris could fairly claim to be the cultural capital of the world. This was the France of the Impressionists and post-Impressionists, of Rodin and the young Picasso, Matisse and Braque, the France of Proust and Gide, of Debussy and Ravel. Paris became the City of Light, the center of fashion. The cinema was born; the Metro was built. The Renault brothers and Andre Citroen created an automobile industry. Pierre and Marie Curie, discovering the properties of radium, prepared the way for advances that transformed the modern world. |
عن المؤلف | Mary McAuliffe holds a PhD in history from the University of Maryland, has taught at several universities, and has lectured at the Smithsonian Institution. She has traveled extensively in France, and for many years she was a regular contributor to Paris Notes. Her books include Paris Discovered, Dawn of the Belle Epoque, and Clash of Crowns. She lives in New York City with her husband. |