المراجعة التحريرية | "Hornstein's methodology, groundbreaking research, wealth of documentation, and visual model make this book an innovative work that will be vital as a study reference. It also provides rich insight into the transformations that occurred in French society in the first half of the nineteenth century." --Camilla Murgia, caa.reviews
"Hornstein respects the complexity of her subject, and the result is a deeply fascinating book."--David O'Brien, Nineteenth-Century Art Worldwide
"While the intellectual content of the book is clearly aimed at professional specialists in art history, the clarity of expression renders the work quite accessible to a broad readership, from professional scholars to advanced undergraduates. This wide appeal makes Hornstein's study a worthy addition to the reading list of any educated reader with an interest in art, war, and society."--Christopher Coski, French Review
"[Hornstein] weaves thorough historical context with art analysis in a way that solidifies her argument that art history as a discipline benefits from examining these elements of visual culture that have too often been ignored."--Marina Ortiz, Nineteenth-Century French Studies
"This exciting and ambitious study offers a major contribution to an expanded history of nineteenth-century French art, in which Hornstein demonstrates that depictions of war represented a vital and immensely--perhaps uniquely--popular form of image making."--Sarah Betzer, University of Virginia
"A compelling account of the complex relations between diverse images of conflict in a time of rapid social, political, and aesthetic change."--Richard Taws, University College London |