Book Description | One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "lesslethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made in USA" printed on them, while Britain continues to sell tear gas to countries on its own humanrights blacklist. An engrossing centuryspanning narrative, Tear Gas is the first history of this weapon, and takes us from military labs and chemical weapons expos to union assemblies and protest camps, drawing on declassified reports and witness testimonies to show how policing with poison came to be. |
Editorial Review | Walter Benjamin was the interlocutor of all the demons and angels of storytelling. And this is why he knew its endless secrets. Listen to him. John Berger "This volume collects an extraordinary array of short pieces by Walter Benjamin that lets us see the centrality of stories, dreams, and tales to his own experimental writings. During the time in which Benjamin sought to understand the conditions of communicability between languages, he was also testing the thesis in the stories he told. Telling the tale and reflecting on its very possibility, under conditions such as war and poverty, Benjamin gives us short forms that are broken up by interruptions and sudden closure. This elegant and moving volume is beautifully edited, including an introduction that shows how these collections of short tales and dream sequences are already doing the critical work of the essay form. This volume is a marvelous gift that will reorient our reading of Benjamin in startling ways" Judith Butler "Much praise is due to the editors for bringing together a newly translated collection of his short fictions, The Storyteller, in which he shows our iniquitous material world suffused and sabotaged by the uncanny like no one else." Jacqueline Rose |