شريك لنون منذ
7+ سنينالناشر | Edinburgh University Press |
رقم الكتاب المعياري الدولي 13 | 9780748641574 |
رقم الكتاب المعياري الدولي 10 | 748641572 |
اللغة | الإنجليزية |
Language | اللغة الإنجليزية |
وصف الكتاب | How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options. Key Features * Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings. * Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets. * Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary. * Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth). |
عن المؤلف | Baz Kershaw is Professorial Research Fellow in Performance at Warwick University. He Worked as an Engineer Before Studying at Manchester, Hawaii And Exeter Universities. His Projects in Experimental And Community-Based Theatre Include Productions at The London Drury Lane Arts Lab And, Since 2000, Eco-Specific Performances in South-West England. His Publications Include The Politics of Performance (1992), The Radical in Performance (1999) And Theatre Ecology: Environments And Performance Events (2007). Helen Nicholson is Professor of Drama And Theatre at Royal Holloway, University of London. Her Publications Include Applied Drama: The Gift of Theatre (Palgrave Macmillan, 2005), Making a Performance: Devising Histories And Contemporary Practices (co-Authored With Emma Govan And Katie Normington) (Routledge, 2007) And Theatre & Education (Palgrave Macmillan, 2009). |
تاريخ النشر | 40695 |
عدد الصفحات | 256 |
Research Methods In Theatre And Performance Paperback English - 40695