Book Subtitle | A Play |
Book Description | Graffiti crews are willing to risk anything for their art. Called vandals, criminals, even creative terrorists, graffiti artists set out to make their voices heard and alter the way people view the world. But when one crew finishes the biggest graffiti bomb of their careers, the consequences get serious and spark a public debate asking, 'Where does art belong?' |
Editorial Review | A romantic ode to the art of graffiti and the act of tagging, a piece that demystifies authorial signatures and charts the storied history of graffiti art in Chicago, shouting out its great artists and their canvases, from Kennedy underpasses to CTA train yards. -Chicago Tribune. A raw, visceral narrative that gives graffiti artists the humanity and genius the headlines rob them of. -Newcity Stage. This is a piece about the overwhelming urge not just to create art, but to get it seen--if only by a scant few before the sandblasters come along.-TimeOut Chicago |
About the Author | Kevin Coval is the author of Schtick, L-vis Lives, Everyday People the American Library Association "Book of the Year" Finalist Slingshots: A Hip-Hop Poetica, and an editor of The BreakBeat Poets. He is the founder of Louder Than a Bomb: The Chicago Youth Poetry Festival, Artistic Director at Young Chicago Authors, and teaches at the University of Illinois at Chicago. Idris Goodwin is a playwright, spoken word performer and essayist recognized across mediums by The National Endowment for the Arts, The Ford and Mellon Foundation. His play How We Got On, developed at The Eugene O'Neill Theater Center, premiered at The 2012Festival of New Play. |
Publication Date | 13 September 2016 |
Number of Pages | 68 |